"To move the furniture?" CHAPTER XXII!

"So you didn't ask?" The words had the note of surprise. Dear Mrs. Gereth smiled sweetly. "How could he, when our situation is such that he communicates with me only through you, and that you are so tortuous you conceal everything?"

Invited by her companion, who had asked if it weren't wonderful, Mrs. Gereth had begun to say a word about Poynton; but she heard a sound of voices that made her stop short. The next moment she rose to her feet, and Fleda could see that her alarm was by no means quenched. Behind the place where they had been sitting the ground dropped with a certain steepness, forming a long grassy bank, up which Owen Gereth and Mona Brigstock, dressed for church but making a familiar joke of it, were in the act of scrambling and helping each other. When they had reached the even ground Fleda was able to read the meaning of the exclamation in which Mrs. Gereth had expressed her reserves on the subject of Miss Brigstock's personality. Miss Brigstock had been laughing and even romping, but the circumstance hadn't contributed the ghost of an expression to her countenance. Tall, straight and fair, long-limbed and strangely festooned, she stood there without a look in her eye or any perceptible intention of any sort in any other feature. She belonged to the type in which speech is an unaided emission of sound and the secret of being is impenetrably and incorruptibly kept. Her expression would probably have been beautiful if she had had one, but whatever she communicated she communicated, in a manner best known to herself, without signs. This was not the case with Owen Gereth, who had plenty of them, and all very simple and immediate. Robust and artless, eminently natural, yet perfectly correct, he looked pointlessly active and pleasantly dull. Like his mother and like Fleda Vetch, but not for the same reason, this young pair had come out to take a turn before church. Mrs. Gereth shook her head with slow austerity. "You don't believe a word you're saying. I've frightened you, as you've frightened me: you're whistling in the dark to keep up our courage. I do simplify, doubtless, if to simplify is to fail to comprehend the insanity of a passion that bewilders a young blockhead with bugaboo barriers, with hideous and monstrous sacrifices. I can only repeat that you're beyond me. Your perversity's a thing to howl over. However," the poor woman continued with a break in her voice, a long hesitation and then the dry triumph of her will, "I'll never mention it to you again! Owen I can just make out; for Owen is a blockhead. Owen's a blockhead," she repeated with a quiet, tragic finality, looking straight into Fleda's eyes. "I don't know why you dress up so the fact that he's disgustingly weak." She had once more disengaged herself, with the private vow that he shouldn't yet touch her again. It was all too horribly soon—her sense of this was rapidly surging back. "We mustn't talk, we mustn't talk; we must wait!" she intensely insisted. "I don't know what you mean by your freedom; I don't see it, I don't feel it. Where is it yet, where, your freedom? If it's real there's plenty of time, and if it isn't there's more than enough. I hate myself," she protested, "for having anything to say about her: it's like waiting for dead men's shoes! What business is it of mine what she does? She has her own trouble and her own plan. It's too hideous to watch her and count on her!"